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But stunning Tiffany works in other media also adorn the church.Two Hundreds of years on Manhattan's Upper West SideSt. Michael's Church has been on the same site at 99th Road and Amsterdam Avenue on the Upper West Side of Manhattan since the beginning of the nineteenth century, but the present church building is St. Michael's third.The initial white clapboard church burned in 1854. By the eighties, St. Michael's congregation had grown so large that the second church was too small and the present larger church was completed in 1890. Art functions by Louis Ease and comfort Tiffany all through the church improve the splendor of the revolutionary mixed Romanesque and Byzantine style of the developing, designed by influential architect Robert W. Gibson (1854 1927).St. Michael's was barely tiffany and co rings unique in utilizing the Tiffany firm to improve the elegance of its developing: from the late nineteenth through the early twentieth century, scores of American churches, synagogues, public and personal institutions commissioned Louis Comfort Tiffany's interior design firm to adorn their structures with stained glass home windows.Tiffany employed hundreds of glass makers, steel employees and skilled artisans to satisfy the needs of these commissions. St. tiffany jewellery Michael's 7 lancet windows depicting the Biblical story St. Michael's Victory in Heaven had been consecrated in 1895 and are a especially stunning example of Tiffany stained glass.1895 Tiffany Altar and ReredosBut St. Michael's turned to Tiffany for a lot much more than just stained glass home windows.The primary altar itself and the reredos (the backdrop powering the altar) were developed by Tiffany. The creative fashion of these items represented the very best and most contemporary of late nineteenth century ecclesiastical artwork. The symbols and iconography were ancient and Biblical.The altar by itself is produced of shining, deep white marble. Its restrained and elegant entrance bears a conventional simplified Celtic knot sample.From a distance, the Tiffany reredos behind the primary altar shimmers like a wall of jewelery. The reredos is made of shining enamel function and mosaics of coloured glass and cabochon semi precious stones. The grape vine pattern of the enamel function is each lush and orderly. The enamel colours match the stained glass. Warm blond mosaic glass and stones create a body at the borders of the reredos.Spiritual Symbols tiffany and co bracelet Glow like JewelsDirectly over the altar are four mosaic roundels containing the traditional iconographic symbols of the New Testament evangelists, Mark the lion, Matthew the man, Luke
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